Sigiriya

Sigiriya, in fact, should have been classed as one of the Wonders of the Ancient World, long ago, and there is now a proposal to name it as the Eighth Wonder of the world. Perhaps, it is better late than never!

Sri Lanka's ancient architectural tradition is well portrayed at Sigiriya, the best preserved city centre in Asia from the first millennium, with its combination of buildings and gardens with their trees, pathways, water gardens, the fusion of symmetrical and asymmetrical elements, use of varying levels and of axial and radial planning. Sophisticated city planning was at the heart of Sigiriya, this royal citadel of ancient fame from the days of Sri Lanka's memorable past.

The Complex consists of the central rock, rising 200 meters above the surrounding plain, and the two rectangular precincts on the east (90 hectares) and the west (40 hectares), surrounded by  two moats and three ramparts.

The plan of the city is based on a precise square module. The layout extends outwards from co-ordinates at the centre of the palace complex at the summit, with the eastern and western axis directly aligned to it. The water garden, moats and ramparts are based on an ‘echo plan’ duplicating the layout and design on either side. This city still displays its skeletal layout and its significant features. 3 km from east to west and 1 km from north to south it displays the grandeur and complexity of urban-planning in 5th century Sri Lanka.

The Sigiriya Rock

The most significant feature of the Rock would have been the Lion staircase leading to the palace garden on the summit. Based on the ideas described in some of the graffiti, this Lion staircase could be visualised as a gigantic figure towering majestically against the granite cliff, facing north, bright coloured, and awe-inspiring. Through the open mouth of the Lion had led the covered staircase built of bricks and timber and a tiled roof. All that remains now are the two colossal paws and a mass of brick masonry that surround the ancient limestone steps and the cuts and groves on the rock face give an idea of the size and shape of the lion figure.

Though traces of plaster and pigments occur all over this area, there are only two pockets of paintings surviving in the depressions of the rock face, about a 100 meters above the ground level. These paintings represent the earliest surviving examples of a Sri Lanka school of classical realism, already fully evolved by the 5th century, when these paintings had been made. Earlier the Sigiri style had been considered as belonging to the Central Indian school of Ajanta, but later considered as specifically different from the Ajanta paintings. The ladies depicted in the paintings have been variously identified as Apsaras (heavenly maidens), as ladies of Kasyapa’s court and as Lightening Princess and Cloud Damsels.

There are also remains of paintings in some of the caves at the foot of the rock. Of special significance is the painting on the roof of the Cobra Hood Cave. The cave with its unique shape dates from the pre-christian era. The painting combines geometrical shapes and motifs with a free and complex rendering of characteristic volute or whorl motifs. It is nothing less than a masterpiece of expressionist painting

The Sigiriya Gardens

The gateway to the western precinct lies across the inner moat. It had an elaborate gate-house made of timber and brick with a tiled roof. The moat is perfectly aligned with a mountain peak in the distance

Only the southern side of the garden has been excavated, leaving the identical northern half for the archaeologist of the future. In the entire Sigiri-Bim, over 200 village tanks and rural sites have been investigated.

The water gardens of the western precinct are symmetrically planned, while the boulder garden at a higher level is asymmetrically planned. The water garden displays one of the worlds most sophisticated hydraulic technologies, dating from the Early Historic Period.

This shows an interconnection of macro- and micro-hydraulics to provide for domestic horticultural and agricultural needs, surface drainage and erosion control, ornamental and recreational water courses and retaining structures and also cooling systems.
The Macro system consisted of the Sigiri Maha weva, the manmade lake with a 12 km dam, running south from the base of the rock, a series of moats, two on the west and one on the east fed from the lake. At micro level are, the water control and the water retaining systems at the summit of the rock and at various levels with horizontal and vertical drains cut in to the rock and underground conduits made of cylindrical terracotta pipes.

Water Garden

The miniature water garden just inside the inner wall of the western precinct, consists of water pavilions, pools, cisterns, courtyards, conduits and water courses. The pebbled or marbled water-surrounds covered by shallow slowly moving water would have served as cooling devices with an aesthetic appeal with visual and sound effects, which could be visualised by a visitor who could spend a little time.

The largest water garden has a central island surrounded by water and linked to the main precinct by cardinally-oriented causways. This was created 5 centuries before those at Angkor in Cambodia or Mughal gardens in India. The central island would have been occupied by a large pavilion.

The water is in four L-shaped pools, connected by underground water conduits at varying depths, to provide different water levels. The pool on the south-west, is divided into a large bathing pool, with a corbelled tunnel and steps leading down into it. The other pool is smaller with a central boulder on which was a brick-built pavilion.

The fountain garden is a narrow precinct on two levels. Western half has two long and deep pools, with shallow serpentine streams draining into the pools. These had been paved with marble slabs. These streams display the fountains, which have been made from circular limestone plates with symmetrical perforations, which are fed by underground water conduits and operate by gravity and pressure. There are two shallow limestone cisterns which would have served as storage and pressure chambers for the fountains. These fountains are still active during the rainy season from November to January.

On either side of the fountains are four large moated islands , oriented north-south, cutting across the central axis of the water garden. This too shows the symmetrical repetition. The flattened surfaces of the islands were meant for the Summer Palaces or ‘water pavilions’. Access to the pavilions were across bridges cut into the surface rock.

The Octagonal pond is at a point where the water garden and the boulder garden meet, a still higher level from the rest of the water garden. It is at the base of a towering boulder. There is a raised podium and a drip ledge, which would have formed the bathing pavilion . The pond is surrounded by a wide terrace also octagonal.

Boulder Garden

The boulder garden at a higher level from the symmetrical water garden is a totally different organic or asymmetrical concept, with winding pathways, natural boulders. Almost every rock and boulder in this garden must have had a building of brick and timber. It also has the Cistern Rock which has a large cistern made of huge slabs of granite. There is also the Audience Hall rock, with a 5 metre long throne carved out of the rock

The entrance to the inner citadel (15 hectares) is made of a massive brick and stone wall, which forms a dramatic backdrop to the water garden and to the rock and the palace on the summit towards the east of it. The wall runs from the Octagonal pond to the bastion on the south-east, which is formed of wide brick walls linking a series of boulders surrounding a cave pavilion with a rock-cut throne.

Terrace Garden

The Terrace Garden at the base of the rock is fashioned out of the natural hill , made with rubbled retaining walls, each terrace running in a concentric circle around the rock, each rising above the other.

The Palace garden on the summit was the domestic garden with its terraces and rock cut pools